Applying genetic algorithms to the optimum design of a concert hall
Identifieur interne : 000530 ( PascalFrancis/Checkpoint ); précédent : 000529; suivant : 000531Applying genetic algorithms to the optimum design of a concert hall
Auteurs : S. Sato [Japon] ; K. Otori [Japon] ; A. Takizawa [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon] ; H. Kawamura [Japon]Source :
- Journal of sound and vibration [ 0022-460X ] ; 2002.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
Genetic algorithms (GAs), a form of evolutionary computing, have been applied to the design of concert halls. The application of a GA to a system for optimizing a concert hall in terms of four orthogonal factors of a sound field is discussed. The first model was an optimization of the proportions of a hall of the typical shoebox type. The second model is the optimization of the plan of the hall. The results show that the optimized form of the first model is similar to Grosser Musikvereinsaal. The second model took on different characteristics according to the preference for which it was optimized. A leaf-shaped plan is a typical result of the maximization of the scale values of preference for the audience area.
Affiliations:
Links toward previous steps (curation, corpus...)
Links to Exploration step
Pascal:03-0083832Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Applying genetic algorithms to the optimum design of a concert hall</title>
<author><name sortKey="Sato, S" sort="Sato, S" uniqKey="Sato S" first="S." last="Sato">S. Sato</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Otori, K" sort="Otori, K" uniqKey="Otori K" first="K." last="Otori">K. Otori</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Takizawa, A" sort="Takizawa, A" uniqKey="Takizawa A" first="A." last="Takizawa">A. Takizawa</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Sakai, H" sort="Sakai, H" uniqKey="Sakai H" first="H." last="Sakai">H. Sakai</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Ando, Y" sort="Ando, Y" uniqKey="Ando Y" first="Y." last="Ando">Y. Ando</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Kawamura, H" sort="Kawamura, H" uniqKey="Kawamura H" first="H." last="Kawamura">H. Kawamura</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">03-0083832</idno>
<date when="2002">2002</date>
<idno type="stanalyst">PASCAL 03-0083832 INIST</idno>
<idno type="RBID">Pascal:03-0083832</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000547</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000101</idno>
<idno type="wicri:Area/PascalFrancis/Checkpoint">000530</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Applying genetic algorithms to the optimum design of a concert hall</title>
<author><name sortKey="Sato, S" sort="Sato, S" uniqKey="Sato S" first="S." last="Sato">S. Sato</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Otori, K" sort="Otori, K" uniqKey="Otori K" first="K." last="Otori">K. Otori</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Takizawa, A" sort="Takizawa, A" uniqKey="Takizawa A" first="A." last="Takizawa">A. Takizawa</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Sakai, H" sort="Sakai, H" uniqKey="Sakai H" first="H." last="Sakai">H. Sakai</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Ando, Y" sort="Ando, Y" uniqKey="Ando Y" first="Y." last="Ando">Y. Ando</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
<author><name sortKey="Kawamura, H" sort="Kawamura, H" uniqKey="Kawamura H" first="H." last="Kawamura">H. Kawamura</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</inist:fA14>
<country>Japon</country>
<wicri:noRegion>Nada, Kobe 657-8501</wicri:noRegion>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Journal of sound and vibration</title>
<title level="j" type="abbreviated">J. sound vib.</title>
<idno type="ISSN">0022-460X</idno>
<imprint><date when="2002">2002</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Journal of sound and vibration</title>
<title level="j" type="abbreviated">J. sound vib.</title>
<idno type="ISSN">0022-460X</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Concert hall</term>
<term>Design</term>
<term>Evolutionary algorithm</term>
<term>Genetic algorithm</term>
<term>Modeling</term>
<term>Optimization</term>
<term>Room acoustics</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Acoustique salle</term>
<term>Salle concert</term>
<term>Conception</term>
<term>Modélisation</term>
<term>Optimisation</term>
<term>Algorithme génétique</term>
<term>Algorithme évolutionniste</term>
<term>4355</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Genetic algorithms (GAs), a form of evolutionary computing, have been applied to the design of concert halls. The application of a GA to a system for optimizing a concert hall in terms of four orthogonal factors of a sound field is discussed. The first model was an optimization of the proportions of a hall of the typical shoebox type. The second model is the optimization of the plan of the hall. The results show that the optimized form of the first model is similar to Grosser Musikvereinsaal. The second model took on different characteristics according to the preference for which it was optimized. A leaf-shaped plan is a typical result of the maximization of the scale values of preference for the audience area.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0022-460X</s0>
</fA01>
<fA02 i1="01"><s0>JSVIAG</s0>
</fA02>
<fA03 i2="1"><s0>J. sound vib.</s0>
</fA03>
<fA05><s2>258</s2>
</fA05>
<fA06><s2>3</s2>
</fA06>
<fA08 i1="01" i2="1" l="ENG"><s1>Applying genetic algorithms to the optimum design of a concert hall</s1>
</fA08>
<fA09 i1="01" i2="1" l="ENG"><s1>Concert hall acoustics and opera house acoustics</s1>
</fA09>
<fA11 i1="01" i2="1"><s1>SATO (S.)</s1>
</fA11>
<fA11 i1="02" i2="1"><s1>OTORI (K.)</s1>
</fA11>
<fA11 i1="03" i2="1"><s1>TAKIZAWA (A.)</s1>
</fA11>
<fA11 i1="04" i2="1"><s1>SAKAI (H.)</s1>
</fA11>
<fA11 i1="05" i2="1"><s1>ANDO (Y.)</s1>
</fA11>
<fA11 i1="06" i2="1"><s1>KAWAMURA (H.)</s1>
</fA11>
<fA12 i1="01" i2="1"><s1>ANDO (Y.)</s1>
<s9>ed.</s9>
</fA12>
<fA12 i1="02" i2="1"><s1>POMPOLI (R.)</s1>
<s9>ed.</s9>
</fA12>
<fA14 i1="01"><s1>Graduate School of Science and Technology, Kobe Univrsity, Rokkodai</s1>
<s2>Nada, Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
<sZ>6 aut.</sZ>
</fA14>
<fA15 i1="01"><s1>Graduate School of Science and Technology, Kobe University, Rokkodai, Nada</s1>
<s2>Kobe 657-8501</s2>
<s3>JPN</s3>
<sZ>1 aut.</sZ>
</fA15>
<fA15 i1="02"><s1>Faculty of Engineering, University of Ferrara, Via Saragat</s1>
<s2>44 100 Ferrara</s2>
<s3>ITA</s3>
<sZ>2 aut.</sZ>
</fA15>
<fA20><s1>517-526</s1>
</fA20>
<fA21><s1>2002</s1>
</fA21>
<fA23 i1="01"><s0>ENG</s0>
</fA23>
<fA43 i1="01"><s1>INIST</s1>
<s2>11530</s2>
<s5>354000106824750100</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2003 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>8 ref.</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>03-0083832</s0>
</fA47>
<fA60><s1>P</s1>
<s2>C</s2>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i1="01" i2="1"><s0>Journal of sound and vibration</s0>
</fA64>
<fA66 i1="01"><s0>GBR</s0>
</fA66>
<fC01 i1="01" l="ENG"><s0>Genetic algorithms (GAs), a form of evolutionary computing, have been applied to the design of concert halls. The application of a GA to a system for optimizing a concert hall in terms of four orthogonal factors of a sound field is discussed. The first model was an optimization of the proportions of a hall of the typical shoebox type. The second model is the optimization of the plan of the hall. The results show that the optimized form of the first model is similar to Grosser Musikvereinsaal. The second model took on different characteristics according to the preference for which it was optimized. A leaf-shaped plan is a typical result of the maximization of the scale values of preference for the audience area.</s0>
</fC01>
<fC02 i1="01" i2="X"><s0>001B40C55</s0>
</fC02>
<fC03 i1="01" i2="X" l="FRE"><s0>Acoustique salle</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="ENG"><s0>Room acoustics</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="SPA"><s0>Acústica sala</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="X" l="FRE"><s0>Salle concert</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="ENG"><s0>Concert hall</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="SPA"><s0>Sala concierto</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="X" l="FRE"><s0>Conception</s0>
<s5>15</s5>
</fC03>
<fC03 i1="03" i2="X" l="ENG"><s0>Design</s0>
<s5>15</s5>
</fC03>
<fC03 i1="03" i2="X" l="SPA"><s0>Diseño</s0>
<s5>15</s5>
</fC03>
<fC03 i1="04" i2="X" l="FRE"><s0>Modélisation</s0>
<s5>16</s5>
</fC03>
<fC03 i1="04" i2="X" l="ENG"><s0>Modeling</s0>
<s5>16</s5>
</fC03>
<fC03 i1="04" i2="X" l="SPA"><s0>Modelización</s0>
<s5>16</s5>
</fC03>
<fC03 i1="05" i2="X" l="FRE"><s0>Optimisation</s0>
<s5>17</s5>
</fC03>
<fC03 i1="05" i2="X" l="ENG"><s0>Optimization</s0>
<s5>17</s5>
</fC03>
<fC03 i1="05" i2="X" l="SPA"><s0>Optimización</s0>
<s5>17</s5>
</fC03>
<fC03 i1="06" i2="X" l="FRE"><s0>Algorithme génétique</s0>
<s5>18</s5>
</fC03>
<fC03 i1="06" i2="X" l="ENG"><s0>Genetic algorithm</s0>
<s5>18</s5>
</fC03>
<fC03 i1="06" i2="X" l="SPA"><s0>Algoritmo genético</s0>
<s5>18</s5>
</fC03>
<fC03 i1="07" i2="X" l="FRE"><s0>Algorithme évolutionniste</s0>
<s5>19</s5>
</fC03>
<fC03 i1="07" i2="X" l="ENG"><s0>Evolutionary algorithm</s0>
<s5>19</s5>
</fC03>
<fC03 i1="07" i2="X" l="SPA"><s0>Algoritmo evoluciónista</s0>
<s5>19</s5>
</fC03>
<fC03 i1="08" i2="X" l="FRE"><s0>4355</s0>
<s2>PAC</s2>
<s4>INC</s4>
<s5>56</s5>
</fC03>
<fN21><s1>048</s1>
</fN21>
<fN82><s1>PSI</s1>
</fN82>
</pA>
<pR><fA30 i1="01" i2="1" l="ENG"><s1>ICA: International Conference on Acoustics</s1>
<s2>17</s2>
<s3>Rome ITA</s3>
<s4>2001-09-03</s4>
</fA30>
</pR>
</standard>
</inist>
<affiliations><list><country><li>Japon</li>
</country>
</list>
<tree><country name="Japon"><noRegion><name sortKey="Sato, S" sort="Sato, S" uniqKey="Sato S" first="S." last="Sato">S. Sato</name>
</noRegion>
<name sortKey="Ando, Y" sort="Ando, Y" uniqKey="Ando Y" first="Y." last="Ando">Y. Ando</name>
<name sortKey="Kawamura, H" sort="Kawamura, H" uniqKey="Kawamura H" first="H." last="Kawamura">H. Kawamura</name>
<name sortKey="Otori, K" sort="Otori, K" uniqKey="Otori K" first="K." last="Otori">K. Otori</name>
<name sortKey="Sakai, H" sort="Sakai, H" uniqKey="Sakai H" first="H." last="Sakai">H. Sakai</name>
<name sortKey="Takizawa, A" sort="Takizawa, A" uniqKey="Takizawa A" first="A." last="Takizawa">A. Takizawa</name>
</country>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Checkpoint
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000530 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Checkpoint/biblio.hfd -nk 000530 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= OperaV1 |flux= PascalFrancis |étape= Checkpoint |type= RBID |clé= Pascal:03-0083832 |texte= Applying genetic algorithms to the optimum design of a concert hall }}
This area was generated with Dilib version V0.6.21. |